The Cha Cha is a favorite for our students. The energetic music makes the Cha Cha fun to learn. It’s a great way to get a workout and show personality while learning new dance moves.
The Cha Cha is a favorite for our students. The energetic music makes the Cha Cha fun to learn. It’s a great way to get a workout and show personality while learning new dance moves.
Benefits of the CHA CHA:
Improves confidence in self-expression.
Improves balance and coordination.
Relieves stress and improves memory.
For over 40 years, our talented dance instructors at Ottawa’s Fred Astaire Dance Studio provide professional instruction on the execution of popular traditional dance routines. The improvements our students see in their dance skills reflect our team's impeccable talent.
Like many businesses around the world, the pandemic brought many obstacles to our normal methods of business. With tremendous courage and adaptability, we’ve done an amazing job changing gears and moving to virtual teaching successfully.
Our teachers’ creativity in harnessing their talents brings many options for students to safely continue in-studio lessons. We are grateful for our teacher's hard work and want to thank you for your continued trust in us on your dance journey.
These classes focus on developing strong dance Technique, connection, foot work, and more!
The first dance at your wedding is a special moment. It’s when your eyes don’t leave each other, yet all eyes are on you. We want your first dance to reflect the love and unity in your relationship.
Do you have a son or daughter who would be interested in learning how to dance? We invite your children to join our Latin and Ballroom dance group class. It is an important social skill, but not only that, it’s a perfect mix of art and sport!
Our professional dance instructors will choreograph a routine specific to your song that is fun, unique and an entertaining surprise for your guests.
The Cha-Cha-Cha, or simply cha-cha in the U.S., is a dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrin in the early 1950s.
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