Contemporary

by Gift Of Dance Claim Listing

Our modern classes cover a variety of styles/categories including Contemporary, Jazz, Lyrical, Body conditioning, and on occasion, Musical theatre and African. 

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I often have people enquire about “Contemporary Dance”.  In my opinion, this is a very vague term and the definition differs depending on who you ask. 

I think the TV show “So You Think You Can Dance” is an example that the kids will know, of the variety of styles that can fall under the heading of “Contemporary”…but also perhaps contributing to part of the confusion, as they showcase everything from Lyrical, to traditional modern dance, various style concept pieces etc., all underneath the heading of Contemporary.

A choreographer’s personal style has much to do with their definition of Contemporary Dance.  Basically it all stems from MODERN dance which stems from BALLET. 

The words “contemporary” and “modern” just mean “current” or “now” dance.  Modern dance was originally a break away or rebellion against the social structures of the 1880’s and there was a need for a type of dance that offered something more than the rigid, structure of ballet. 

Dancers wanted more freedom of expression, so interpretive modern dance was born.  This eventually turned into set curriculum which were known as “modern dance” syllabi (Martha Graham/Lester Horton whose techniques are still taught the world over, for example).  Nowadays the term Modern dance encompasses so much, as does “contemporary”.  The best ways for me to explain the two are: A dance style which is ever-evolving and constantly changing. 

So… To elaborate on what WE DO at GIFT….

Our modern classes cover a variety of styles/categories including Contemporary, Jazz, Lyrical, Body conditioning, and on occasion, Musical theatre and African.  These classes are wonderful for technique, posture, strength, control and artistry.  Our modern requires ballet based technique and the Gr 2 and older dancers will be required to take a minimum of 2x modern classes per week. 

One class a week is not enough to really develop technique and flexibility.  We also need to work on Eisteddfod and exam work and cannot sacrifice technical training to work on choreography alone. As with Hip Hop, every 2nd year we alternate between concert work, and DanceCor exam work.  2021 is a concert year! 

Uniform – Black leggings/tights and Black leotard with our studio logo will be available for order very soon!  No loose fitting clothes.  Hair must be tied off the face in a pony tail or bun (bun is best for technique classes as we need the hair secured when practicing turns).  Girls may wear the fitted Gift of Dance vest during practices with hot pants or leggings, but will need a leotard for the exams end of the year.  

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  • Vergesig Branch

    Van Breda St, Vergesig, Cape Town
  • Teacher's Name
  • Caitlin
  • Teacher's Experience
  • Caitlin Mackay started ballet training at the age of 4 and modern dance training at the age of 5. She began her ballet training with Ilze Louw and joined Dianne Cheesman's Cape Junior Ballet Company in 2009. She completed her Royal Academy of Dance Advanced 2 examination with Distinction in 2013 with Kim Day at Reddam House Dance Academy with additional training from Dianne Cheesman at UCT ballet school. She trained in modern dance with Colleen Kitching for over 12 years touring to the Grahamstown National Arts Festival for four different seasons. She spent 2014-2018 training as a full time vocational ballet student under the instruction of Martin Schonberg. She has toured to Portugal with the Cape Junior Ballet Company and danced in various overseas workshops with English National Ballet, The American Academy of Ballet and Nederlands Dans Theater. She has performed in, Cape Town City Ballet's productions of Sleeping Beauty and Coppelia, performances of 'Dancers love Dogs' and 'Dancers for Dancers', the National Dance Trust's production of 'A Spartacus of Africa' and Martin Schonberg and Adele Blanc's 'Archangel'. Through the University of Stellenbosch she has qualified as a Pilates teacher now working for the Claremont Chiropractic Health Center, is in her final year of RAD ballet teachers training and is completing her AIDT modern teachers qualification.
  • Gender
  • Female
  • Teacher's Nationality
  • N/A

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